ExperienceUnforgettable Moments

FRIDA

An intense and visionary monologue that gives voice to Frida Kahlo, to her pain, to her loves and to her art. Between memories, letters, wounds and colors, Frida tells her own story without filters, transforming suffering into strength and freedom. Written and performed by Jessica Ferro, the show leads the spectator into the pulsating heart of a woman who made her own vulnerability a revolutionary act.

La mandragola - Alrunen av Niccolò Machiavelli Progetto 2 / 2027

The Mandrake is a comedy by Niccolò Machiavelli, considered the masterpiece of sixteenth-century theater and a classic of Italian dramaturgy. Composed of a prologue and five acts, it is a powerful satire on the corruptibility of Italian society at the time. It takes its title from the name of a plant, the mandrake, to whose root aphrodisiac and fertilizing characteristics are attributed.

John Gabriel Borkman - Henrik Ibsen på italiensk i Norge! Progetto 1 / 2028

From Liber Liber, an excerpt: "It is estimated that no other dramatic author has been performed more than Ibsen, aside from Shakespeare. It is certain that the revolutionary writing of the Norwegian author, which placed the individual with his torment, his insecurities, and his reflections at the center, influenced the work of the great writers who followed. His primary interest was undoubtedly, especially starting from the 1860s, that of attempting to transform society starting from its founding institutions such as the family, marriage, and the relationships between people bound by this tie." To study the genesis of The Lady from the Sea (Fruen fra havet) – or as it would have been better translated from Norwegian, The Lady of the Sea –, a five-act drama published in 1888, it is pleasant to recall an excursion into northern Norway that Ibsen undertook in 1862 thanks to a scholarship, an excursion that had the purpose of learning about legends and folk songs. The journey, by train, by boat, and also on foot, took him north as far as Sunnmøre, on the coast, before returning to Christiania (today Oslo). The desolate landscape and the constant glimpses of the sea and the fjords he encountered along the way impressed him in a particular way. The landscape seen and the stories heard became part of some of his texts: as in the figure of the protagonist of the drama Brand (1866) or in a passage contained in the drama Peer Gynt (1867) or in elements of the drama Rosmersholm (1886) or, I believe, in the settings and the fantastic component upon which the drama The Lady from the Sea is built.

Kafka, Praga, una donna

Lisistrata_ av_ Aristofanes Progetto 1/2029

From Wikipedia: "This play is the first text known today to address the theme of women's emancipation, not only through pathetic lament, but through active collaboration between women, even from different cities, who appear here more than ever aware of their ability to impose their will on men. The author's intent, however, was not to break a lance in favor of this topic, but to represent an 'upside-down world,' where command is taken by those who are usually submissive, with the goal of achieving not the equality of the sexes (a topic still unthinkable in those times and in fact not addressed in the work), but peace."

Minotaurus. Progetto 2/2029

Open air project

Ippolito da Euripide Progetto 3 2029

ABSTRACT: The hero-cult of Hippolytus in Troezen is well documented in the archaeological, epigraphic and literary record. This paper focuses on the social function of the cult of Hippolytus in Troezen. After discussing the archaeological evidence for this hero-cult, I demonstrate how a special type of votive dedications that predominate in the assemblages of his sanctuary sheds light on the hero’s specific social function and cultic identity (i.e. his kourotrophic power). By tying together the different types of evidence (archaeological as well as literary), I argue that the kourotrophic function of Hippolytus was an effective medium at the hands of the polis-authorities of internalising a reverent behaviour in the ancient worshippers.

Il teatro comico di Carlo Goldoni Progetto 1 2030

From Wikipedia: The Comic Theatre is a three-act comedy by Carlo Goldoni, written in 1750 and performed for the first time in Milan. It was then brought to the Teatro Sant'Angelo in Venice, where it suffered harsh criticism and was performed for only one more evening. It was, however, successful in Vienna[2]. It is the first of the sixteen new comedies that the Venetian playwright committed to writing for the impresario Gerolamo Medebach starting in 1750. It represents a novelty in Goldoni's production: The Comic Theatre is a metatheatrical comedy, which stages the preparation of a show. The importance of this comedy in the Goldonian repertoire is given by the simultaneous presence of the two theatrical forms of the time: the commedia dell'arte and Goldoni's realist theatre. The latter wins, paving the way for the Goldonian Reform of eighteenth-century theatre.

Mother Night - Kurt Vonnegut Progetto 2 2030

Laboratorio teatrale per bambini condotto da Jessica Ferro

Theater workshop for Italian-speaking children aged 5 to 10, led by Jessica Ferro - Only ten spots available - September 5 and 6, 2026. 11 a.m. - 2 p.m.

Små krim i borettslaget - Piccoli crimini condominiali

08/28/2026 at 7:00 PM Premiere 08/29 at 3:00 PM Second performance 08/29 at 7:00 PM Third performance 08/30 at 3:00 PM Fourth performance 08/30 at 7:00 PM Fifth and final performance

Il viaggio di Medeia - Medeias reise

HVA NÅ?

La cenere che vola - Svevende aske

Where would you have been? Where would you have been?

Tra le pieghe - Mellom foldene

What is an object? What makes it a vehicle of meaning? How many times do we look at something and, get lost in memories, our own, intimate and deep, distancing ourselves from everything. Are we certain that they do not have a life unknown to us and that in that suspended time they do not speak to one another? A text, flights into immediate poetry, a return to the nest, the weaving of a plot. Ingredients for a show.

Scacco al coniglio - And i appelsinsaus

Acting workshop

Workshop with Rosa Molina

Doppio fondo - Dobbel bunn

Malamore